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“I wonder,” he said, “is there anything we could do to help you to get rid of him?” “Can you think of anything?” Anna answered. She was dressed in a simple evening gown of soft creamy silk, with a yoke of dark old embroidery that enhanced the gentle gravity of her style, and her black hair flowed off her open forehead to pass under the control of a simple ribbon of silver. Maybe it’s his loss. She would have been amazed if John was even aware of any one of the incidents. “Wonderful man!” said Ann Veronica, reassured, and stroking his cheek with her finger. This costume, though somewhat extravagant, displayed his slight, but perfectly-proportioned figure to the greatest advantage. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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